Victor Wainwright &The Train

Victor Wainwright & The Train

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It had to be a train. The name of Victor Wainwright’s new band – and the sleeve image of their debut album – is also the most fitting of metaphors. In music folklore, the train might have associations with the freight-hopping bluesmen of yore, but with this restless boogie-woogie innovator stoking the furnace, this latest project is a charging locomotive – surging forward, crashing through boundaries of genre, sweeping up fresh sounds and clattering headlong past the doubters. As the man himself hollers in the ivory-pounding title track: “If you wanna boogie get aboard this train/Get yourself a ticket or get out of the way…”

At a sweet-spot in his career, where most established stars would rest on their laurels, Victor Wainwright & The Train instead rips up all that has gone before. These twelve tracks are originals in every sense, written by Wainwright, pricking up ears in a sterile music industry and stretching the concept of roots in bold directions. “I wanted to write this new music mostly on my own,” he explains, “as it was coming and speaking to me. I believe that for roots music to grow, and reach out to new audiences, we have to push it forward.”

The result is an album that walks a tightrope between scholarly respect and anarchic irreverence. You’ll hear Wainwright twist boogie-woogie tradition on barrelhouse thrillers like Healing and Boogie Depression, both driven by his visceral piano style. But you’ll also hear him fearlessly explore the gamut of genre, from the Latin flavors and New Orleans horns of Wiltshire Grave, to the mellow near-psychedelia of Sunshine.

It’s a musical cocktail served up by Wainwright’s inimitable gravel-flecked vocal. His words can be hilarious, as on I’ll Start Tomorrow, on which he postpones his doctor’s clean-living advice. But they can also be heartfelt, on the gospel-tinged kiss-off of That’s Love To Me. “I’ve tried to write songs that remind us to love ourselves,” he considers. “It doesn’t matter who voted for who, what your religion is, who you love…”

On this white-knuckle ride, only The Train could keep the material on the tracks. “I ended up with a hit-squad of downright amazing musicians,” he reflects, “that shared my curiosity for all corners of the roots genre. We wanted to capture how we feel performing, right smack-dab on this record, and I believe we’ve done that. Now I just try to keep up.”

In truth, Wainwright has always been an artist that sets the pace. Born into a musical family in Savannah, Georgia, the formative influence of his father’s vocals and grandfather’s rolling boogie-woogie piano compelled him into a life of music. By 2005, he’d announced his talent with solo debut, Piana’ From Savannah, while his central role in Southern Hospitality and partnership with Stephen Dees in WildRoots has seen him ignite stages and stereos for over a decade. “Looking back on your career is a tough thing to do,” he says. “Challenges are many, and frequent, but when you get it together, it can also be extremely rewarding.”

- 2016 BMA Band of the Year & BB King Entertainer of the Year

- 2016 Blues Blast Contemporary Blues Album of the Year

- 2016 Cover of the The Blues Festival Guide

- 2016 Top #10 Billboard

- 2017, 2016, 2015, 2014, 2013, 2012 Legendary Rhythm and Blues Cruise Performer (Solo & Band)

- 2017, 2016, 2015 Big Blues Bender Performer in Las Vegas

- 2014 & 2013 BMA Pinetop Piano Player of the Year

- 2013 Blues Blast Award “New Artist Debut Release” Southern Livin’ - 300+ Days a Year Touring 2012-2013

- Top 10 Billboard May 2013 “Easy Livin’”

- Top 10 Billboard Debut March 2013 “Easy Livin’”

- 2013 Blues Blast Music Award “Sean Costello Rising Star” Nominee - 2013 Blues Blast Music Award “Blues Band of the Year” Southern Hospitality Nominee